Paul Pfeiffer’s Olympia turns to Los Angeles as it prepares for the 2028 Olympics. Graphite drawings on vellum propose an impossibly enlarged, million-seat L.A. Memorial Coliseum, while a new Incarnator sculpture, carved by Seville artisans of religious icons, renders Justin Bieber’s tattooed body in fragments like a figure of Christ. The show asks how stadiums, screens and celebrity shape how we see bodies.
