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Bones in the Canal and Other Photographs marks Torbjørn Rødland’s return to New York with two bodies of work. Using ultra-compact 35mm cameras, he revisits early concerns, placing figures within charged landscapes that evoke dream and romanticism. Larger-format images probe intimacy, power, and religion through staged encounters. Embracing improvisation and analogue process, Rødland creates unsettling scenes where familiar forms yield strange, irreducible presence.
