This multisensory installation draws from unused footage created during the making of Alejandro G. Iñárritu’s debut feature Amores Perros. Never-before-seen film fragments are presented through an array of 35mm projectors, accompanied by recorded sounds of Mexico City. Removed from narrative structure, the work treats film as material composed of time, light, and space, reframing discarded images as an immersive visual environment.
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