Installation view, Shannon Rogers: Myriad, Part 2 Gallery, Oakland, 2026
Shannon Rogers’s *Myriad* turns geometric abstraction toward landscape: panoramic oils of volcanoes, canyons, ruins and sunsets that stay open to multiple readings. The title nods to the Greek myrias and the Daoist “ten thousand things.” Built from schema, then disrupted with wet-into-wet color and mark, the paintings feel familiar yet invented, places you enter visually but never fully locate.





