Isaac Loría's "Ojalá" brings paintings made on his family's farm in Herradura, Costa Rica. Pastoral views of farmland and the Monteverde cloud forest sit beside dark blue oceanscapes, two boxers echoing Goya, and a self-portrait as a drummer after Manet. Self-taught and steeped in art history, Loría treats landscape as self-portrait, with hints of inner conflict and quiet menace.
