Yulia Pinkusevich’s *Oblivion Blues*—her first Kutlesa solo—presents large-scale paintings drawn from civil-defense isorithms that map explosive effects across inhabited terrain. GIS diagrams made with Mark Henderson become compositions of lines, distances, and concentric fields in ink, oil, acrylic, mineral pigments, and mirrored glass. The show sits between abstraction and information, memory and measurement.
