My wares, never mar my mind (2025) presents eight hand-sewn silhouette collages made with acrylic, inkjet prints, and archival imagery. Infused with photographs from Liberia and JET magazine editorials from the 1980s–2000s, the works explore memory, sentiment, and place. Layered figures and abstracted limbs evoke shrines of personal history, where objects and images embody both nostalgia and transformation.
