Glenn Ligon Late at night, early in the morning, at noon

Late at night, early in the morning, at noon is a two-part presentation of new and historical works on paper by Glenn Ligon. Engaging language, abstraction, and the color blue, the works draw on writings by James Baldwin to examine shifts between legibility and atmosphere. Across layered rubbings, silkscreens, and prints, text fragments dissolve into fields of color, addressing perception, memory, and the emotional register of light.