Yayoi Kusama's work often gets called "pop," a label that makes sense given her time in 1960s New York amid the Pop Art movement. But her practice runs far deeper, rooted in personal hallucinations and obsessions that transform everyday mass-produced objects into expressions of inner vision. This exhibition traces her distinctive brand of pop across decades and media. Collages densely packed with identical airmail stickers or photographs expose both consumer culture and her compulsive drive to repeat. A mannequin encrusted with macaroni merges industrial food production with private obsession.
