Jenny Morgan’s "Hours at the Edge" brings her diaphanous paintings to Anat Ebgi’s Wilshire space. Hyper-realistic figures ebb in and out of focus, merging into landscape or dissolving into a painterly fog. Her brushwork moves between quick, expressive strokes and invisible precision, recalling Venetian reclining nudes and playful rococo scenes while holding a hypnotic, hyper-present calm.
