For Zizipho Poswa, clay is not simply material—it is archive. iMbewu (The Seed) surveys nearly a decade of ceramic sculpture by the South Africa-based artist, whose hand-coiled forms honor the lived experiences, ceremonial practices, and matriarchal knowledge systems of Southern African women. Cow horns, braided coiffures, stacked vessels, and beer pots are transformed into monuments of dignity, resilience, and power. Each work contains within it the possibility of what is yet to come.
