São Paulo–based Felipe Suzuki’s first Karma solo: luminous tranquil oils begun like still lifes (fruit, light) but painted through memory. Allusively representational—“spirit is abstract”—with Apelles four-pigment palette, relational color, and layered oil (sometimes calcium carbonate) on wood-mounted canvases. Kinship with Morandi; Japanese ma; geometric forms, folding-screen motifs, Minimalist plank echoes.
