Felipe Suzuki’s first solo show with Karma presents five 2026 oil paintings that begin as still lifes and are painted from memory. With the four-pigment Apelles palette and layers of oil, sometimes mixed with calcium carbonate, on canvases mounted on wood, he builds simple forms: a pale semicircle, pleated strips recalling his Japanese family’s folding screens, slim upright bars. The intervals count as much as the shapes.
