Tauba Auerbach’s Zephyr, Zephyr at Paula Cooper gathers works on currents and concurrence: pointillist foam paintings from microscopic light, heat-camera studies of hot and cold water, glass chimes, and paired rotating sculptures. Foam marks an unruly liquid–air edge where order dissolves into recurring geometry. Across media, turbulence becomes coordinated—structure without a grid, movement made briefly visible.
