瀧口修造 書くことと描くこと at Artizon surveys poet-critic Takiguchi Shuzo’s experimental drawings, poetry, and criticism alongside works by Klee, Duchamp, and Miró from the Ishibashi collection. Automatic marks meet surrealist exchange and critical prose. Themes of writing as drawing, Japanese surrealism’s networks, and the critic as maker structure the Japanese-titled exhibition. Looking closely rewards attention to surface.
