Our deeply human, compulsive nature to scan the world for ourselves is a feature, not a bug. Psychologists call this pareidolia: the tendency to impose meaningful forms and patterns onto ambiguous or arbitrary objects and surfaces. This sculpture exhibition is preoccupied with our inclination to find ourselves — our bodies, and their residue — in materials and forms that are distinctly inanimate. The works remind us of the unsettling frequency with which organic forms echo human presence: posture, tension, weight, intention.