Contested Surfaces revisits the work of Romany Eveleigh, marking her first New York solo exhibition in nearly twenty years. Active in the city during the 1970s and 80s, Eveleigh developed a rigorous practice linking writing and painting through repetitive, manual mark-making. Focusing on her shift to linear collages and late works on paper, the exhibition underscores her commitment to process, intimacy, and the physical trace of thought, reaffirming her impact on postwar abstraction.
