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Michael Kohn Gallery presents inkblot and felt-tip drawings by Bruce Conner made from the early 1960s to the 2000s, highlighting a lesser-known core of his practice. Using folding, mirroring, and repetitive mark-making, Conner explores symmetry, automatism, and chance. These works reveal drawing as a sustained site of inquiry, where authorship loosens and meaning stays fluid, in dialogue with his films and assemblages.
