Artwrld | Aminah Robinson — Aminah Brenda Lynn Robinson, A Holy Place: The Elijah Pierce Barbershop, 1983. Buttons, beads, wood, found objects, hair, thread, and fabric, 30 x 102 in. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.

Aminah Brenda Lynn Robinson, A Holy Place: The Elijah Pierce Barbershop, 1983. Buttons, beads, wood, found objects, hair, thread, and fabric, 30 x 102 in. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.

More from this exhibition

Aminah Brenda Lynn Robinson, Women in Poindexter Village, 1986. Buttons, beads, thread, ink, paint, and fabric. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.

Aminah Brenda Lynn Robinson, Atrium Diary, 1987. Buttons, beads, thread, stamps, paint, fabric, and parchment. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.

Aminah Brenda Lynn Robinson, Detail: A Holy Place: The Elijah Pierce Barbershop, 1983. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.

Aminah Brenda Lynn Robinson, left to right: Button Beaded Doll, c. 1988; Untitled [Man on horse], date unknown; Button Beaded Doll, c. 1988. © Aminah Brenda Lynn Robinson Trust. Courtesy of the Aminah Brenda Lynn Robinson Trust, Columbus Museum of Art, and Fort Gansevoort, New York.