Mmangaliso Nzuza: Ballad of the Peacock centers on a recurring figure — bold yet quiet, shapeshifting across canvases — who occupies scenes drawn from western art history, contemporary Black fashion, and the stillness of KwaZulu-Natal. Rendered with sure dark outlines and impressionist-inflected paint, the figures resist dissolving into their settings, asserting strong definition of self against field. Fashion operates throughout as second skin and armor: to peacock is to prepare to be seen while remaining, in Nzuza's hands, too cool to return the gaze. The work situates itself firmly in the present — nonchalant, hyper-aware, always at home.