Kelsey Isaacs’s Baby Mozart’s Kiss at Theta pairs staged-set paintings with a video installation, remixing Renaissance heavens and Watteau landscapes through feathers, bubbles, spotlights, and polyethylene. Large aluminum works and a Cloud Editor series—baby as contemporary putto under LED party light—turn a soundstage cyclorama into plastic baroque spectacle. Miniature endoscope videos nest around the gallery, recycling the same props through photography, stencil, and oil.
