Apple Face, curated by Aidana Bergali, is a group exhibition examining Surrealism — both figurative and abstract — as a lens for the contemporary world. Its title nods to Magritte's Son of Man (1964), where an apple obscures identity, recast here against Apple™'s dominance as our literal face to reality. Where Surrealism once exposed strangeness lurking beneath everyday life, the exhibition argues that strangeness now is everyday life — and uses surrealist language not as escape, but as a tool for noticing.
