Ángeles Agrela’s *Camino y Paz* at Nicodim presents large acrylic-and-pencil works on paper of women whose hair partly conceals their faces. Names drawn from Marian invocations—Camino, Paz, Luz—hover between identity and description. In a city named for Our Lady of the Angels, the paintings examine recognition, concealment, and how women have been pictured across art history.
