John F. Simon Jr.'s ComplexCity, is a series of on-chain, generative artworks updated from his seminal software media artwork, and ode to New York City, ComplexCity (2000).

John F. Simon Jr.'s ComplexCity, is a new collection of generative artworks updated from his seminal software media artwork, and ode to New York City, ComplexCity (2000).

The collection consists of 256 unique artworks constructed from six possible templates that vary in composition, interactivity, and rarity. 

John F. Simon Jr. talks about code as a form of creative writing. Code has also been referred to as the medium, the 'paint and canvas' of digital artists but it transcends this metaphor in that it even allows artists to write their own tools...

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Distributed in partnership with Art Blocks Engine

About the Collection

Meet the Artist

Ready To Rumbler: A Letter from the Curator by Nato Thompson

Paul Pfeiffer in Conversation with Artwrld Co-Founder Nato Thompson
5/10/23 at 12 PM ET

An Interview with Paul Pfeiffer and Francesco Tenaglia in Mousse Magazine from 2018

Paul Pfeiffer Featured in Art21

Are all of these artworks works unique?

How much do these artworks cost?

When is this happening?

Collection Ethereum Contract Addresses

I’ve never collected an NFT. What do I do?

Are you doing any programming?

These aren't my frequently asked questions...

Is this the end?

“
For me, the legacy of pictures is a desire to disrupt the surface illusion of reality and to access another dimension.

Projects You’ll Love

ComplexCity

Vs. (Battle of Brisbane)

Vs. (Fight of the Century)

A pioneer of video and computer-based art, Paul Pfeiffer has created celebrated works that sample and re-edit footage from televised sports, concerts, and other mass media events. Exploring the relationship between public spectacle, image culture, and individual and group identity formation, his work is held in the collections of MoMA, the Guggenheim Museum, Whitney Museum, LACMA, and Hirshhorn Museum. Pfeiffer has received solo exhibitions at MIT’s List Visual Art Center, the MCA Chicago, Honolulu Museum of Art, and the National Gallery of Victoria.

World-renowned artist Paul Pfeiffer presents 

 a meditation on our collective cultural obsession with mass spectacle and ritual, 

 is comprised of edited footage pulled from two iconic boxing matches featuring eight-division world champion Manny Pacquiao.

Paul Pfeiffer’s first NFT collection, 

., transports the viewer to the boxing ring and highlights found footage from two highly anticipated historical boxing matches — Pacquiao vs. Horn and Pacquiao vs. Mayweather. 
To create each piece, Pfeiffer has taken existing televised footage and digitally erased Pacquiao’s opponent, leaving the viewer to witness a man struggling, resisting, suffering, and at times prevailing over a ghostly foe who is as unseen as he is undeniably present.

More than an image of sports, Pfeiffer brings his unsparing eye to a culture of cameras and media distribution that ultimately lands, painfully, in a body. The collection presents us with an incredibly evocative and moving work by one of the great visual artists of our time.

For me, the legacy of pictures is a desire to disrupt the surface illusion of reality and to access another dimension.

in collaboration with Artwrld. A meditation on our collective cultural obsession with mass spectacle and ritual, 

 is comprised of edited footage pulled from two iconic boxing matches featuring eight-division world champion Manny Pacquiao. 

The collection consists of two long-form video works (each an edition of 5 plus 1 AP) and 150 short-form clips (each unique and variable in duration).

The collection of short-form clips have officially sold out but are now available on the 

Paul Pfeiffer's Vs. Sold Out

., transports the viewer to the boxing ring and highlights found footage from two highly anticipated historical boxing matches — Pacquiao vs. Horn and Pacquiao vs. Mayweather. To create each piece, Pfeiffer has taken existing televised footage and digitally erased Pacquiao’s opponent, leaving the viewer to witness a man struggling, resisting, suffering, and at times prevailing over a ghostly foe who is as unseen as he is undeniably present. 

A pioneer of video and computer-based art, Paul Pfeiffer has created celebrated works that sample and re-edit footage from televised sports, concerts, and other mass media events. Exploring the relationship between public spectacle, image culture, and individual and group identity formation, Pfeiffer’s work has been included in solo exhibitions at the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Hammer Museum, Los Angeles; the Buffalo AKG Art Museum, Buffalo; and the National Gallery of Victoria, Melbourne, among others. His work is in the permanent collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; LACMA, Los Angeles; Pinault Collection, Venice; Hamburger Bahnhof, Berlin; Julia Stoschek Collection, Dusseldorf and Berlin; and the Pinothek der Moderne, Munich, among others. 

 will collaborate with Artwrld as the official nonprofit partner for Vs., selected by Pfeiffer to receive a portion of every primary and secondary sale.

Paul Pfeiffer's Vs. Long Form